Get Free Ebook Daredevil, Vol. 1, by Mark Waid
Get Free Ebook Daredevil, Vol. 1, by Mark Waid
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Daredevil, Vol. 1, by Mark Waid
Get Free Ebook Daredevil, Vol. 1, by Mark Waid
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Product details
Paperback: 152 pages
Publisher: Marvel; First Edition edition (August 8, 2012)
Language: English
ISBN-10: 0785152385
ISBN-13: 978-0785152385
Product Dimensions:
6.8 x 0.2 x 10.2 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
117 customer reviews
Amazon Best Sellers Rank:
#241,929 in Books (See Top 100 in Books)
Daredevil By Mark Waid Vol. 1 HC collects:- Daredevil #1 to 10 and 10.1 (2011 series)- Amazing Spider-Man #677The extras include 14 pages worth of material:- Spotlight interview with author Mark Waid.- Paolo Rivera sketchbook full of original pencil pages and creative process demonstrations.* * * * * OVERVIEW * * * * * * * * * * * * * * *Following the critically acclaimed runs of Brian Bendis and Ed Brubaker that pushed Daredevil to edges we haven't experienced since the Frank Miller days, and after the ill-fated Andy Diggle run that unsuccesfully tried to take Matt Murdock even further, comes Mark Waid. So what does Mark Waid do? Exactly the opposite!I'll admit that I was at first reluctant to the idea of a light and carefree Daredevil, as I'm very much used to a gritty and hardboiled hero. But Waid manages to deliver an incredibly fresh take on the character, and while on the surface this Matt Murdock may seem like an easygoing do-gooder, he remains at his core as complex and intense as we know and love him.Mark Waid takes Daredevil to new territories, pairing him up against unusual adversaries like Spot, mega-criminal organizations AIM and Hydra, and two particular Marvel villains that I won't mention to avoid spoilers. I really can't praise Waid's efforts enough: he reminds us once more why he's such an essential contemporary comic-book author.* * * * * ABOUT THE ART * * * * * * * * * * * * * * *The art is truly amazing, mainly featuring the talents of Paolo Rivera and Marcos Martin, as well as Kano, Khoi Pham and Emma Rios. Rivera and Martin are incredibly accomplished artists and storytellers, giving not only life and vision but also design to Waid's scripts.* * * * * ABOUT THE EDITION * * * * * * * * * * * * * * *This is a high quality book, featuring sewn-binding, glossy paper stock and excellent quality printing with sharp art reproduction. The sewn-binding allows to read the book comfortably with no gutter-loss at all, so you can fully appreciate the wonderful art.Unfortunately the paper stock is not as great as previous Marvel hardcover editions: this is a lighter weight kind of stock. I won't go as far as to say it's flimsy, because it's good quality material, but my main complain is that it lets you see through the pages a bit when the art features blank spaces in the page layout design.Also, unlike previous hardcover editions this book does NOT include metal engravings printed on the front and spine of the book that you can see when you remove the dustjacket. Instead, it features a nice matte full printing (which unfortunately is a bit pixelated due to the enlargement of the image, but nothing really serious, just a detail). While I definitely miss the old look, I think is one also good on its own.* * * * * CONCLUSION * * * * * * * * * * * * * * *I recommend this book both to newcomers and old veterans alike. Mark Waid brings the glory back to Daredevil and already shapes up as the next great writer of the title, following Miller, Bendis and Brubaker.
For years now, Daredevil has been a dark character. I remember when Frank Miller took over the writing chores of the monthly book way back in the day. We’d never seen cinematic art like that, and we’d never seen Daredevil portrayed so … mean. I liked the change. Daredevil became a must-read book and he was hitting everyone’s radar (yep, that’s a joke!) almost overnight.I enjoyed the run for a while. I enjoyed Brian Michael Bendis’s time on the character, and Ed Brubaker’s run was a natural follow-up. Both Bendis and Brubaker went on to write other quality noir stuff, and Brubaker has pretty much made that flavor his standard.But I was, quite frankly, ready for a change. I didn’t go through the Shadowland premise, but I heard about it. I was kind of happy to hear Mark Waid picked up the title, but I just hadn’t gotten around to seeing what was going on till lately.If the first graphic novel is any indication, and I’m certain that it is, Daredevil is about to go through a whole new renovation that will leave the character drastically changed, yet true to his roots.Waid is one of those writers that I usually read and enjoy. I liked what he did on the Hulk and the Fantastic Four and Brave and the Bold, and there have been several other titles he’s written that I loved (Potter’s Field, Ruse, Unknown)! His run on Indestructible Hulk is a blast.One of the first things you notice immediately is the colorful brightness of the pages. Visually, the book is a lot different from what Alex Maleev did while working with Bendis. There’s a lot of WHITE on the pages, lots of open space that let the art breathe and allows the reader to relax and enjoy. I love the artwork and the visual feel of the pages. Paolo Rivera and Marcos Martin do an outstanding job of moving the story along and giving dynamic perspectives to Daredevil’s action sequences. The battle with Captain America was delineated well.I like the fresh take on the series, that Matt Murdock is so high profile that he can’t practice law and ends up counseling clients on how to handle their own court cases. However, that’s unbelievable, especially when these cases involve such high stakes. On the other hand, that’s probably more believable than a blind man flipping across rooftops and zip-lining high above the city. So – okay, I’m all in with it.I wasn’t too happy with Klaw (or a facsimile thereof) being the first villain up in the roster. Likewise, I wasn’t overly fond of the confrontation between Daredevil and Captain America, but that was true to Marvel roots too. I remember when Daredevil took on Sub-Mariner way back in issue #7 or the original series (back when DD first broke out the red suit). That was how Marvel heroes got to know each other back in the day.I did like the way Daredevil took on the Spot at the opening of the first issue. The battle was pretty cool, filled with action and humor. The idea of Daredevil kissing the bride was a bit much, in my opinion. It was a great visual, but when you think about the act, you realize that Matt would know such a thing would be assault and actionable. Still, the art really makes that pop, so I excuse it.The Klaw arc plays out and leads into a case closer to Matt’s heart: a young blind man is wrongfully fired from a company where he’s been working. Of course, that initial incident leads to many others, and a showdown that ends up being both physical and cerebral, showing that Waid understands Matt is both hero and lawyer.I also quite enjoyed the Matt/Foggy sidebar story (see? Lawyer term! Bonus). The health food kick Matt is putting Foggy through is dynamite. I like it because it shows Matt cares about Foggy, and the two argue and fight like brothers. Or like two law school students who shared a residence back in the day.There are other plot strings out there, like the assistant district attorney who’s interested in Matt/Daredevil, the fact that Captain America is keeping an eye on Matt, and the potential of all the world’s criminal organizations targeting Daredevil after the events in the graphic novel. I can’t wait to see what Waid does with them.And I just started reading this series in time for the location to be switched from New York to San Francisco. That’s an interesting curveball, and like Matt Murdock, I didn’t see it coming!
The man without fear, the daredevil, has returned to New York to resume his life as a lawyer. Problem is, he has more less been unmasked by the tabloids. most of new York now believes he is DareDevil, which wrecks ha ok with his law practice. I like this idea, although I thought the way it messed with his practice was kind of weak. in the book prosecutors keep mentioning Matt being Daredevil to the judge. This is played as them being petty, but there are some legitimate issues at play here. I would have liked to see the New York bar maybe going after Matt for unethical behavior. That's just me though, and I did enjoy the workaround they came up with. I liked the visualization of sound in this book, with the echoes bouncing off stuff the way Matt would experience them. The rest of the art was good, but the sound stuff is the only really memorable moments here.
Okay, it is this Daredevil series that started the daredevil craze. Nontheless, This is a wonderful story on its own merits and will surely deliver, and satisfy any reader, comic or novel alike. Mark Waid brings a new take on Daredevil, and its one I'm surprised no one ever thought of until now. Marcos Martin and Paulo Rivera are the two artist for this first story arc and they also contribute to the quality of the title. They both bring a nuance and almost reinvent the way to draw Daredevil comics.This is a perfect jumping on point for all new readers.
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